31 pages, paperback
14,8 x 21,0, 2024

In his Minima Moralia, Theodor Adorno isolated the phrase “After all, it’s only an animal” as the telltale justification for the possibility of “pogroms” against “savages, blacks, Japanese [and] Jews” by its overcoding their human status with animality. Concomitant with rendering their human identity invisible is rendering their animal—their species—difference visible. The imputation of intersecting identifiers not only enacts both the subordination of those marked in the collective singular (the Jew, the Black, the Animal) and the dominance of the unmarked markers (Gentiles, Whites, Humans), it also (re)constructs the authority of hierarchical oppositions indexed by each identifier. Hence to analogize Jews or Blacks with animals not only maintains the hierarchical opposition of Jew and Gentile or Black and White, but that of Animal and Human as well. This work focuses upon several shared loci for the generation by Gentiles and Whites of bestial ascriptions of, respectively, Jews and Blacks: two, happenstances of geography and diet, that identify them with specific animals, and one, fears of their passing in the wake of their legal and political emancipations, that identifies them with “the Animal” in its visible varieties to render their respective differences as discernable and self-evident. 
           
 

The Author

Jay Geller is Professor of Modern Jewish Culture, emeritus, at Vanderbilt University, where he taught from 1994 to 2021.  He has also taught at, among other institutions, the University of Vienna and the Pontifical Gregorian University (Rome). In 2001 he was the Fulbright/Sigmund Freud Society Visiting Scholar in Psychoanalysis at the Sigmund Freud Museum (Vienna) and in 2011 Visiting Fellow at the Centre for the Study of Jewish-Christian Relations (Woolf Institute, Cambridge, U.K.). His fellowships include grants from DAAD, ACLS, CCACC, NEH, and ATS. He is the author of On Freud’s Jewish Body: Mitigating Circumcisions (2007, Fordham UP), The Other Jewish Question: Identifying the Jew and Making Sense of Modernity (2011, Fordham UP), and Bestiarium Judaicum: Unnatural Histories of the Jews (2018, Fordham UP). His current project is “Living-While-Circumcised: Circumcision and Jewish Survival during the Shoah,” which draws upon hundreds of audiovisual testimonies, memoirs, survivor literature and films.